Director and writer keen on telling honest, unexpected stories about complex female characters. Currently in post-production on a “grounded David Lynch”-esque feature I developed with Pipeline Media.
I look at myself, where I'm at in my career, what I've achieved (or not achieved) so far, and I groan.
I didn't want to say it. As I scrambled through my phone looking for photos of Canoe #1 on the roof of the Kia—Did we really not take a photo?
If you’re going to make this into a short, why not just write 85 more pages and make it a micro-budget feature?
It felt selfish and tone deaf to be scratching out a screenplay of all things while the world was falling apart.
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