Simp for the Reader
Unless you’re writing only for you, you need to keep the audience in mind. Especially if that audience is the gatekeeper to all your hopes and dreams.
Interview: Andy Compton
The working-class is what I know, and they’re almost always at the heart of the stories I tell. As for why we’re not hearing enough about them—I don’t know. Superheroes are overqualified for the jobs out here.
The Severing - Filtering Grief and Loss Through Art
"I’ve become, like many of my peers, frustrated with the machinations of getting a film made in Hollywood ... I’m only interested in work that speaks to me on a very personal and intimate level.’’
Interview: Claire Creely
I hope this story offers readers some kind of kindling—for warmth, or to stir some hidden fire. Mostly, I hope this story helps someone reclaim their own skin—whatever that means to them.
11 Querying Mistakes I Didn't Know I was Making Until I Worked at a Literary Agency
Mistake 3: Accidentally direct-messaging an agent on Twitter who I thought was my IRL childhood friend.
Making Money
Buy more hats. You'll need them. You’re an artist, a writer, a creator, a professional, and a business person.
The Debate: Structure vs. Voice
When Spike Scarberry threw down the gauntlet, insisting structure was more important than voice, Karin Partin Wells raised her hand to battle in a public debate.
Navigating the Publishing Industry
Writing might be kind of a solitary endeavor, but publishing is very collaborative—it won't be just you anymore.
Imaginary Business Lady
The Business Lady pressed her on what her favorite shows and toys were and proceeded to tell her the prospects of the corporations behind them.
Designing the Perfect Writer's Group
Both from my pent up decade of jealousy and my own recent increase in writer’s group activity, I’ve been doing a lot of thinking about all the variables in creating your ideal creative collective.
Untouched Currents
Survival is tough in this town. Like following a hundred pieces of string that just fall to dust in your hands.
Interview: Melissa Duge Spiers
I really relish just wallowing in the language, the descriptions, making sure everything is as tight and on-point as it can possibly be.
Writing Explosive Dialogue
This is so important to writing good dialogue that it deserves to be on a card on your bulletin board … or at least in caps on its own line.
Author Marketing or Things We Hate to Do
Stand in front of that mirror and ask, “Self, do you want to have a writing career? Are you willing to dare to be vulnerable? To speak positively about yourself and your work?"