'Untold Wants': An Interview with Jessica Aquila Cymerman
Ingmar Bergman said theater was his faithful wife and the movies his alluring mistress. Gender roles aside, I think this is pretty accurate.
Off the Beaten Path: An Interview with Michelle Lerner
... what we think of as a novel is actually just an accident of history.
Writing Film Music with Composer Andrew Hewitt
Andrew Hewitt shares the emotional nature of film scoring, his process with directors, and what he wishes other creatives understood about composition.
Disability Representation On Stage and On Screen with Rachel Handler
... every day something comes up that we have to adapt to—the same way that on film sets, something comes up, and you’ve got to adapt or change the plan.
Interview: Bobby Curnow on His Journey from Intern to IDW Editor-in-Chief
As he puts it, “a confidence with your own weirdness” is what sets work apart in a world overflowing with content.
Filming a Proof of Concept Short: An Interview with Writer/Director/Producer/Actor Angela Cohen
... the most effective use of the funds was to throw away the hope of making this really big thing in a small way and trust that if I captured the tone, world, and characters, that would be enough.
Below the Line: Editor and Actor Max Goldblatt
Those are the victories as an editor, when you get away with something that an audience would never suspect.
Below the Line: Camera & Steadicam Operator, Rochelle T.A. Brown
I’m not impatient when there is no need to be impatient. It helps me to have more realistic expectations.
The Auteur Theory: Filmmaker Jim Towns
... every DVD I own has director’s commentary that I probably listened to at least once. That was my film school.
'Perfection Intersection': An Interview with Jo Steinhart
That’s when it clicked: filmmaking is the perfect intersection of all of my interests.
Interview: Author Isabel Peña Alfaro on Self-Publishing
It's been all kinds of responses, but that's why I had that little pebble in my shoe—we don't talk about mental health as much as we can, or normalize it.
Interview: Joanne Sarazen—From Playwright to Screenwriter
... the thing about screenwriting that's interesting is that everybody wants to talk about what you're doing, like, four years after you did it.
Moments of Magic: Writer LaDarrion Williams and the Conjuring of 'Blood at the Root'
It’s great to have big dreams, but we need little dreams along the way ...
Full Circle: From Lollapalooza to Lolla—Director Michael John Warren
These ideas haunt me and the only way to get them out is to put them down.
The Nuance of War: An Interview with Darren Haruo Rae
This story is bigger than just my grandfather and the 442nd, it is about the 120,000 Americans who were punished simply because of their ethnicity and how each person responded to it.
