# Interviews

... desperation can kick in—you chase “what’s popular” rather than staying true to your creative vision.

It may start with our mother’s heartbeat, but when we enter the brutal reality of the world, we hear the cascading rhythms of human voices, outside world noises … and, if we’re lucky … some form of musical notes.

... as soon as you get your first one-star review, you have made it. I mean it ... Then, have a glass of wine, stick your tongue out and move on.

Consistently writing and producing your own work is the only thing you can control.

"You’ll find that so many people are willing to help you if you work hard and tell people what you want. We all had to start somewhere. You just need the confidence to speak up and make it happen."

... as I was suffocating in my dream, I saw a goldfish land in my palm. And then I woke up.

Film is like a tree in the forest. If nobody sees it, it doesn't really exist.

I wrote new scenes, and I acted in the film. I got shot in the chest twice, and survived both times, miraculously. So, I really saw how to make a movie.

If anybody ever reads about our business, I hope people take away that quality of life is the most important. You make enough to live and you get with good people. That's the important shit.

"Over time, I realized, you have to read between the lines."

"I would pinch myself sometimes on set, going, 'I'm so fucking lucky to be in this room.' Like, I get goosebumps. I am so lucky."

From documentaries to commercials to feature films, Javier Solórzano Casarin takes us on a step-by-step retelling of how his love for filmmaking grew into a lifetime passion.

There is no one recipe for success, but I suppose there is one surefire recipe for failure—inaction. Finish things you start.

The way I think about writing a novel is not so much about answers but a set of questions and charting the understanding of what's at stake, what the actual nature of the problem is.

I remember the intense emotionality of that day—there wasn't a dry eye in the room.