Embracing the Blank Page
If we get too attached to the goal—get an agent, sell this project—and forget that writing is allowed to be fun.
The Art of War
Art conveys truth in ways that propaganda and misinformation of war cannot readily combat. And art is a means to a better future.
Things I Wish I Knew
Clearly there is a knowledge gap out there … there’s something that a hell of a lot of writers out there need to know, and they don’t know it right now.
Is it a Play? A Show? A Movie? A Musical?
But for our other mediums we must travel to what some cynics describe as the least truthful place of all—Hollywood.
Fundamentals of Genre: Culture, Credibility and Horror
If cultural connection, curiosity, and interrogation is some bedrock to our interest in, and fondness for the genre, what else draws audiences so endlessly to these films?
Interview: Penny Berman
Kids are very aware of what’s going on around them. And I think they want to escape into worlds that ultimately make sense, regardless of the offbeat concepts or quirks that define those worlds.
How To Hate Screenwriting in 10 Easy Steps
It’s true that some people are born with a natural loathing for screenwriting. But that doesn’t mean it’s unattainable for the rest of us.
Whose Story is it, Anyway? POV in Storytelling
If a writer is going to present his POV in those big, neon letters, becoming almost strident in his or her moral clarity, then one should hope to be as clever as Sorkin.
It's All Fun and Games Until a Character Dies ... and Then It's More Fun
It’s almost like I’ve got a blank page on which to write this new entity from scratch. Similar to creating a character for a screenplay.
The Ultimate Growth Opportunity
It was time to grow. I could see it coming miles away, and I knew it wouldn’t be pleasant.
Stop Being Defensive About Feedback
It's more valuable that you know how people answer their own questions without your input, since you won't always be in the room when audiences experience your work.
Simp for the Reader
Unless you’re writing only for you, you need to keep the audience in mind. Especially if that audience is the gatekeeper to all your hopes and dreams.
Interview: Andy Compton
The working-class is what I know, and they’re almost always at the heart of the stories I tell. As for why we’re not hearing enough about them—I don’t know. Superheroes are overqualified for the jobs out here.