Interview: Dani Barker
It’s incredibly alluring to me how quickly a kind gesture can evolve into a dangerous seduction and deadly game of cat and mouse as a means to stay in control. I always find this particular subject matter very enticing.
Interview: Kevin Jones
And honestly, I still don’t take budget or market viability into consideration when deciding what to write. (Cue the sound of prospective reps fleeing in terror).
Interview: Greg Edwards and Andy Sandberg
But switching mediums is less learning a new language than an awkward dialect. The vocabulary’s largely the same—you just can’t understand why they spell legitimise with an “s.”
Interview: Paula Pedene and Doug Williams
It took another year before the whole thing “blew up,” which is sad because so many patients could have been saved in-between had someone listened.
Interview: David Bornstein
... being agreeable and always saying yes and bending over backwards with your balls in a knot for people who would never lift a finger back for you doesn’t get you farther than making noise, blowing people’s shit up, and standing up for yourself.
Interview: Sean Collins-Smith
Someone once told me the mark of great art is admiring it so much you wish you’d created it yourself.
Interview: Choon-Ok Harmon and Ana Rodriguez
I was also engaged by the deep-rooted relationship between Choon-Ok and her mother, Pak Ung-Ak. Theirs was both a nurturing and a clashing relationship that conflicted Choon-Ok, yet prodded her to pursue her goal.
Interview: Spencer Mandel and Dikega Hadnot
Perennial outsiders often hold the key to true change and progress.
Interview: Darlene Parris Young
The process of finding an agent is not for the timid of heart. It is equally as tough, if not more so, than writing your work.
Interview: Greta Harrison and Matthew C. Vaughan
I’m sorry, Script Pipeline, I seem to have strangled my writing partner–did you need him to answer any more questions? I can Weekend at Bernie’s him for the rest of the interview?
Interview: Kendall Goldberg
If you start letting the ‘no’s’ get to you—which you hear way more often than any ‘yes’s’—you’ll scare yourself away from being great and accomplishing your goals.
Interview: M Dressler
... there’s only so much you can do with lyrical and pretty. You need mud and knives and lightning bolts, too.
Interview: Milo Behr
My interest in syllabic rhythm comes largely from my experience in singing and songwriting, from my appreciation for Shakespeare (I’m not a superfan, exactly, but I run in those circles), from a casual love of poetry for its lyricism and emotional density.
Interview: Justin D. James
Sometimes the bad things in life are just there to put us on the path to the best things in life.
Interview: Marina Michelson
... being a part of a community of people who are invested in your growth as an artist gives you a real leg up in this industry, and film school gives you that.
