# Interviews

... all the clichés are true. Keep writing. Keep networking. Keep improving.

... the best advice I can give is to be ready when the opportunity presents itself.

... the challenges involved with any creative relationship necessitate being respectful of each other’s ideas and being able to navigate disagreements.

Let it go—when your co-writer says what you’ve written is unclear or confusing or not working or not on the page, trust them. They have the benefit of objectivity.

... your story will change and morph and become a much more team-oriented endeavor, but there’s something so interesting about it all starting with you and a computer, and that’s it.

Larger audiences seem curious to delve into stories of people who look and live differently.

But the truth is, you have to earn it, and you have to develop your craft to the point where you’re ready for that career.

Writers sometimes forget this is a business and that the majority of people who read your script are looking at it as a commodity. “Can I sell this concept?”

For a writer to stretch and find an original plot and a fresh and creative way to package those elements, that’s an illustration of high-concept.

The true definition of madness was becoming a reality. And it took a few years, money ran out, bills weren’t being paid, and it was time to go get a job again. But I always believed.

You may not require a hook, but your writing should really stand out to make your simple story pop. Practice your craft and read produced scripts.

For me, the trick is to constantly be working. I write seven days a week. When a draft goes into the studio or a spec goes out, you can’t wait to see what happens.

... writing a screenplay is so labor-intensive, I’ve found that I can’t grind away on something if I’m not totally enamored with it.

The Rock said, “Shut your mouth and know your role!” That’s how I feel about writing. If your voice is unique and your talent is special, I think your writing will come through no matter what genre you’re writing in.

From there, I thought, “What if a person could be totaled?” Deemed to be not worth the cost of repair. What kind of person would that be? What kind of world would that be?