# Interviews

John Bucher had a chance to sit down with Stoller and the cast of Storks — Andy Samberg, Kelsey Grammer, and Stephen Kramer Glickman — to talk about the project.

"That moment has got to feel like the greatest moment of this guy's life, you know, like we're behind him and not in front of him."

Remember, I’m a comic. I don’t have all the answers, but I will always have an opinion.

Wired Shut writer/producer, Peter Malone Elliott, and director, Alexander Sharp, discuss the behind-the-scenes details of taking their feature film, from idea to completion.

Mass takes place in the aftermath of a violent tragedy that affects the lives of two couples in different ways. What both couples have experienced is unimaginable.

I think people can relate to feeling so desperate and invisible that they might do something they think they would never do.

Unless we are performing and/or directing, we aren’t building the house or moving into it—we have to leave space for the other collaborators.

"I'm not interested in people’s pain; I'm interested in their salvation. I'm not interested in their isolation; I'm interested in their catharsis." - Stephen Chbosky

"... the country right now is so fucking political and divided that the only safety you have is if you feel that the art is regurgitating your own opinions and political beliefs back at you. I find that incredibly boring."

John Bucher continues the discussion on story’s past, present, and future with Robert McKee.

"Where the humor comes out of is not from the tragedy itself, but how we react to it. It's probably sad to say, but this documentary might have relevance for a very long time because there's always going to be a tragedy to deal with." - Nick Scown

A significant challenge for many writers can be to center a story within a community that they, themselves, are not a part of. Siân Heder acknowledges the challenge and how she navigated it.

"Our philosophy is you can't know the light without first knowing the dark."

Nick Hamm's Driven is a fast-paced, comedic crime thriller of a bromance gone wrong between John DeLorean, played by Lee Pace, and Jim Hoffman, played by Jason Sudeikis.

I learned that if you write something from your heart, even if you think it's ridiculous, someone who reads it or sees it or watches it could be affected by it. Then you both might not feel so alone.