# Interviews

That’s when she says she had her Slumdog Millionaire moment: the moment her training in the arts, animation, theater, film, and television all came together.

LA Screenwriter’s John Bucher interviews director Ron Howard on "Hillbilly Elegy."

But instead of falling victim, she became independent, argumentative, curious, and precocious.

“It really did feel like, ‘We’ve never seen one of your kind before.’”

I’m sure there’s someone out there going, “Oh, good. You’re a hard worker.” But the whole point is there is not a system here that allows people who are not independently wealthy to do what it takes to break in.

Scott Neustadter discusses the challenges of turning a true story into a cinematic experience, how he and Michael sold their first script, and his search for the story he “can’t not write.”

Dustin Guy Defa discusses how he approached the structure of "Person to Person," writing genuine dialogue, and the benefits and drawbacks of complete creative control.

Hollywood families aren’t a new thing, but it’s rare to see a movie where the co-stars are twins in real life who also wrote the film together.

A conversation with the director and cast of "Ben-Hur" on practical effects, strong voices, and the power of forgiveness.

Luxor tells the story of a British aid worker taking a hiatus in the ancient Egyptian city, where she bumps into a former lover, Sultan, an archeologist.

An interview with James Schamus, the writer of the "Indignation," on his writing process, screenplays that aren’t over-written, and the violence of adapting great books.

Diana Henriques is an award-winning writer for The New York Times. Her book, The Wizard of Lies, is the basis for HBO’s Emmy-nominated project by the same name.

In hindsight, it’s easier to find the meaning of suffering because you are removed from the cloudiness that suffering itself can cause.

Harrison Ford's role, playing the legendary John Thornton from Jack London’s The Call of the Wild, may be his most personal project to date.

I was busy imagining other worlds where gravity was different and people grew differently. I was inventing stories in these other realms. It wasn’t science I loved—it was science-fiction.