The Grand Performance

"But, alas, what's the point of saying what we already know? This is your grievance, so what, dear sir, is your solution?" Call them out …
How to Find Good Creative Collaborators ... While Avoiding the Bad

They did not want to collaborate with me. They wanted to use me. And thankfully, I was smart enough to see the difference.
The Making of a Micro-Budget Road Movie - Part 3

I didn't want to say it. As I scrambled through my phone looking for photos of Canoe #1 on the roof of the Kia—Did we really not take a photo?
Interview: Victoria Morsell

Writing multiple POVs drove me crazy at times ... I wrote Mary in first person because I wanted readers to feel an intimacy with her, and I thought it would help them connect to her as an outsider.
Who the Hell Do You Think You Are?

Be careful to avoid binding your identity too closely to your pursuits.
Embracing the Blank Page

If we get too attached to the goal—get an agent, sell this project—and forget that writing is allowed to be fun.
The Art of War

Art conveys truth in ways that propaganda and misinformation of war cannot readily combat. And art is a means to a better future.
Things I Wish I Knew

Clearly there is a knowledge gap out there … there’s something that a hell of a lot of writers out there need to know, and they don’t know it right now.
Is it a Play? A Show? A Movie? A Musical?

But for our other mediums we must travel to what some cynics describe as the least truthful place of all—Hollywood.
Fundamentals of Genre: Culture, Credibility and Horror

If cultural connection, curiosity, and interrogation is some bedrock to our interest in, and fondness for the genre, what else draws audiences so endlessly to these films?
Interview: Penny Berman

Kids are very aware of what’s going on around them. And I think they want to escape into worlds that ultimately make sense, regardless of the offbeat concepts or quirks that define those worlds.
How To Hate Screenwriting in 10 Easy Steps

It’s true that some people are born with a natural loathing for screenwriting. But that doesn’t mean it’s unattainable for the rest of us.
Whose Story is it, Anyway? POV in Storytelling

If a writer is going to present his POV in those big, neon letters, becoming almost strident in his or her moral clarity, then one should hope to be as clever as Sorkin.