Sadie chats with multi-hyphenate creative Spider One (Allegoria) and vocalist of 90s rock band Powerman 5000 about his new horror film, Big Baby, and battling your inner critic.
Matt and Jeanne discussed so many topics with Amy B. Scher—rewrites, working with a small press, pitching your own book to publishers, and ... the afterlife. Seriously, she gives the best advice on rewrites we've ever heard. Trust us.
It's been way too long since Sadie and Jeanne had some "alone time" on Reckless, so buckle up, we're all over the place. Some very big news in this episode! Actually, lots of news ... plus we give each other advice on productivity, for whatever that's worth. And, as usual, Jeanne talks too much.
Jeniffer Thompson dives into working with authors, discovering your writing routine, the value (or not) of social media for writers, the importance of authenticity, and ... even reveals a secret desire she's never admitted publicly. We tore the veneer off and dove right in!
The short feels like a time capsule to a different era, a behind-the-scenes echo to a moment in history that, almost inconceivably, seems to be gradually slipping away from our cultural consciousness.
Visually and tonally, it's almost as though the film exists in its own universe, with its own rules, but strung to reality with that inherent reverb of something we've all been affected by: resistance to change.
The age-old question: How do you get insanely talented, recognizable stars attached to a short film? "The script," says writer-director P.J. Palmer.
Ask anyone in America if teacher's are underappreciated, and you'll likely see a uniform opinion.
The possibilities of the story opened up in a way that the project became a nexus to tap into our childhoods ...
"I never felt uncomfortable for a moment ... even with my fingers in another human's mouth."
In this gorgeously shot, quietly riveting drama short, the lead, Rose, is caught between multiple worlds: her Italian heritage, her Irish heritage, and her American-ness.
What transpires is a brief and devastatingly uplifting trip, for many us, down nostalgia lane.
As is well-known, at parties, we tend to gravitate toward the kitchen—around the food and drink ...
... a tragically beautiful film echoing a significant but perhaps fading piece of 20th century history.
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